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It is a mere guess on her part,—supported certainly by many tales she has heard of this Ryan of late, but a guess nevertheless. It proves, however, to be a correct one. A man, indistinct, but unmistakable, shows himself on the top of the wall, and pulls his forelock through force of habit. "Thank you, darling," replies he, meekly. "Indeed, I do not hate you," she says impulsively. "Believe me, I do not. But still I fear you.".

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At first the light of the lamp—so unlike the pale transparent purity of the moonbeams—puzzles her sight; she advances a few steps unconsciously, treading lightly, as she has done all along, lest she shall wake some member of the household, and then, passing her hand over her eyes, looks leisurely up. The fire is nearly out. She turns her head to the right, and then—then—she utters a faint scream, and grasps the back of a chair to steady herself. "Oh, yes, thank you," says Mona, who is both surprised and carried away by the other's unexpected eloquence. From the cabins pale wreaths of smoke rise slowly, scarce stirred by the passing wind. Going by one of these small tenements, before which the inevitable pig is wallowing in an unsavory pool, a voice comes to him, fresh and joyous, and plainly full of pleasure, that thrills through his whole being. It is to him what no other voice ever has been, or ever can be again. It is Mona's voice! "I hardly like to ask her to do it," says the young man, divided between an overpowering desire to be made "comfortable," as she has expressed it, and a chivalrous fear that the sight of the nasty though harmless flesh-wound will cause her some distress. "Perhaps it will make you unhappy,—may shock you," he says to her, with some anxiety..